Tuesday, May 26, 2026
Throwback 70s & 48 Panhead
Tuesday, March 3, 2026
Suzi Gablik _ The Harkrader Collection
This archive collection represents another ‘slice of life’ of the world and work of Suzi Gablik while living in Blacksburg Virginia. Suzi Gablik (1934-2022), a pivotal American artist, author, and art critic whose influential writings, particularly “Has Modernism Failed?”, challenged the trajectory of the art world in the late 20th century. While the Smithsonian Institution's Archives of American Art holds Suzi Gablik’s official papers, this modest private collection is unique and important, as well . It offers an undocumented and personal view of Gablik that is not available elsewhere, assembled not by an institution, but by a close and trusted friends, Chico and Ellen Harkrader.
Valuation based on the following key points:
1. Unique Intimacy and Rarity:
Some materials in this Chico & Ellen Harkrader collection are one-of-a-kind.
They include:
a) Personal Correspondence: Greeting cards and emails from Suzi Gablik that reveal additional thoughts, voice, and personal relationship with Chico & Ellen Harkrader in an informal way.
b) Photographic, Audio, and Video Material: This includes personal photos of Suzi Gablik and, notably, video and photo documentation of her home interior. These images provide additional access to her private world, offering scholars and enthusiasts a tangible sense of her personal aesthetic and environment.
c) Unique Provenance: The Chico & Ellen Harkrader collection’s origin, from close and trusted friends, provides an additional layer of authenticity and personal respect. A record of a deep friendship, offering a few insights that a professional archive might miss.
2. Unique and Undocumented Scholarly Value:
This archive contains some source material that is unique, the personal notes on two areas:
a) Suzi Gablik's Early History: These brief notes offers additional personal perspective on Suzi’s formative years, providing additional detail and color that may add to her official papers.
b) Suzi Gablik's Salon: The Harkrader’s collection includes documentation of Gablik's influential "Salon." These gatherings were central to her role as a connector and thought leader. These notes represent a singular and invaluable resource for understanding the intellectual and social circles that Suzi cultivated, providing more information for art historians to explore.
3. A Holistic Portrait of a Major Art Figure:
Unlike institutional archives that often focus on professional output, this collection provides another view of Suzi Gablik as both a public intellectual and a private individual. The combination of personal ephemera, candid documentation, and scholarly observation creates a uniquely holistic portrait. It bridges the gap between the revered author of *The Reenchantment of Art* and the woman who lived and breathed her ideas.
4. Valued at $5,000 USD
Conclusion:
This archive is more than a collection of items; it is a preserved relationship that offers an intimate perspective on one of the most important art critics of her generation. Its value lies in its uniqueness and personal context. For any institution dedicated to the study of American art history and criticism, this collection is not merely an addition but an acquisition to provide a complete picture of Suzi Gablik's life and legacy.
Gary (Chico) Harkrader
Sunday, September 30, 2018
Eastport, Maine
Saturday, March 5, 2016
Thursday, November 19, 2015
Inglesia de La Santa Ana
Panama at the church of Harkrader's father's baptism.
by Harkrader and his wife, Ellen on Saturday, November 7 2015
in the historic neighborhood of Santa Ana (mother of Virgin Mary),
located in Panama City, Panama.Formalities were made and
papers were signed. Harkrader's version of the Trinity,
the crucifix, finds a new home.
located on the central plaza in the Santana neighborhood,
established in 1678. Cafe Coca-Cola, one of the oldest cafe's in the
city, is located across the plaza from the church.
Thursday, December 1, 2011
Tuesday, September 13, 2011
Czestochowa: The Pilgrimage of the Black Madonna
Mother of God
Opole Residency Symposium Exposition Reception
Friday, August 5, 2011
Sunday, March 20, 2011
Innovation Space / Virginia Tech new media lab
http://virgilspeaks.blogspot.com/
New media guru artist, Simone Paterson, is also creating and exhibiting a new media video for the exhibit.
http://simonepaterson.com/databodinstall.html
Ellen Harkrader is installing a life-size 3 Dimensional figurative piece that include clothing and plexiglass.
Saturday, January 22, 2011
Black Onyx
Black Onyx (detail) resembles a warm-blooded aquatic vertebrate of leather with a fiberous tail. The rusted wire that surrounds, floats the attachment and provides support by penetrating the face of the canvas. Black paint was drizzled (Pollock fashion : )) and poured upon the canvas. The canvas when viewed in its entirety seems to create planetary space of dimension and time...or deep sea environments, below the thermocline, where light does not penetrate.
Sunday, November 7, 2010
Harkrader at Aaron Gallery / Washington, DC
'Floreale Sinfonico' will exhibit in Washington DC during November and December at Aaron Gallery located at 2101 L Street NW, Suite 1000, Washington, DC 20037 (202) 234-3311. By appointment only.
Thursday, October 28, 2010
Robert Suchinski / Opole Poland
Salon Jesienny 2010, czyli ranking artystów
Salon to nie tylko prezentacja rocznego dorobku lokalnych artystów, to również ranking. Tym razem na szczycie, za wskazaniem jurorów z ASP we WrocÅ‚awiu i w Katowicach, znalazÅ‚ siÄ™ Robert SuchiÅ„ski, laureat Nagrody MarszaÅ‚ka Województwa Opolskiego (4 tys. zÅ‚). W jego pracy - rzeźbie z drutu - dostrzeżono "bezkompromisowy przekaz artystyczny przy zastosowaniu oszczÄ™dnych Å›rodków wyrazu”.The Harkrader's are hosting Robert Suchinski in their home and studio while Suchinski is in Virginia working on an installation.
Wednesday, October 27, 2010
Monday, October 11, 2010
Sunday, October 3, 2010
Public Art - Zakim Bunker Hill - Boston
Thursday, August 26, 2010
American Art Collector - September 2010
Comments by the gallery owner, Kelli Scott can be seen on page 45 and images on page 71. The painting is incredibly deep with layers of lucid medium that present a 3D effect. The canvas is heavily layered with thick paint and has mixed media and mediums embedded into the canvas face that include leaf parts, Greek text, fibers and collages of various types.



















