Shrine Group Exhibit Opening & You Are Invited

You are invited to 'Shrines and Other Things' Saturday night 8-11pm located in the industrial section of 419 Luck Ave. in Roanoke City. The group exhibit, by title alone may indicate and include others work that is reverent, irreverent, fun, bizarre, and more. Come with you mind and have it open. Above is the Harkrader installation titled 'Crucifixion Fragmenta-the installation of  found and created objects'. This arrangement includes his painting, 3D sculptures, two crucificitions, the Black Madonna, Sacrifice Soldier, all complete with an altar of votive candles, beads, books, floor cloth, communion symbolism and more. This installation is self interpretive leaving room for the viewer to cipher their own meaning from the numerous religious, spiritual and literary content. This event is made possible by Unicorn Stables Project & Tif Robinette.

Communion

Communion = In common sharing.

Detail / Floral Object Assembly

Detail of 'Communion': Floral composition / found object assembly. This Harkrader composition consist of an open-faced cordless handset (communication) that is embellished with crystals, glass and metal, all residing on the face of the motherboard of the cordless instrument. Symbolic of communication, hence; communion, which may be interpreted as a means of contact with the supernatural, a higher being, a celebration of the body of Christ, humanity, and ourselves as we 'talk to ourselves' when no one else will listen. This composition is symbolic, elegant, feminine, urban and delicate.

Missing Vessel III

Vessel III is not missing, but the artist is missing having this painting hang on his living room wall. Painted in 2007 while still working at the Studios On The Square (Campell) location in Roanoke City, Harkrader completed three of the five vessel paintings, but none as controversial as Vessel III. Harkrader and his wife traveled to Western and Eastern Europe during this year. Harkrader and Ellen housed with artists in Rome & Paris, in addition to a journey that led them to Budapest and Prague. These trips was absolutely filled with intrigue, adventure and mishap which will be covered in a later post.

In this same year, Harkrader read Dan Brown's fiction, the Da Vinci Code which was full of symbolism, code, numbers, secrets, interpretation and meaning. The book made a large impression on Harkrader on many levels. Painted after reading the Da Vinci Code, the book controversial for many reasons including the possibility of Christ having fathered a child by Mary Magdalene, the role of the church in art, Symbolism, code, numbers, intrigue and secrets fill the book especially and Harkrader has filled his painting with some enigma.

The vessel shapes in this Harkrader canvas are all (3) masculine. Shapes (blade/pryamid)=masculine as revealed in Christian literature, Da Vinci's Last Supper and Brown's version of fiction. Some of the raised text in the painting include Heiros Gamos & SubRosa. Harkrader dissected a sweeping vertical opening in the left center section of the canvas and laced the opening up with copper wire that became embedded as the painting progressed. This opening is symbolic of the of the wound & scar in Christ's side. The center 'masculine shaped' vessel is covered in the blood, which is symbolic of communion (derived from Latin for 'sharing in common), where wine is substituted for the blood of Christ and and the faithful partake in 'open communion' as practiced by many Christians.

Other very personal enigma that Harkrader embedded are contained in two of the three small verticle circles that reside along the lower right side of the canvas along the left side of the blue line. The content of these three circles were rarely noticed by the majority of spectators who viewed this canvas while on display in Virginia, Washington DC, and Philadelphia.