Monday, March 29, 2010

Word VII


Harkrader has created another restful composition within Word VII. A window looking into or out of the sky floats in the lower left as two fibers gently horizon their way across the horizontal land. An excavation of rock lies just below. In the center canvas resides a small vertical opening that exposes text, like some ancient word exposed by an archaeological excavation. A vein of granite or marble resides in the top left and another small window to the world just right. (30"x30" / mixed media) Available!

Sunday, March 28, 2010

Crucifixion: The New Version

The comtemporary version of the Crucifixion was painted by Harkrader in the early 1990's. An oil on canvas, 48"x48", a contemporary crucifixion with added biblical language that includes the Trinity. The angelic figure with the floating-fractured arm was modeled after a regional cemetery statue that sit on a family tombstone and also sports a broken right arm (minus the floating section). The wing of the Dove (Holy Spirit) curls around the head of Christ to form a halo and the chest of the Dove terminates into the eye of God (Father). A hole in the palm of Christ is testimony to the nail (now missing), all suspended above the red square (blood of Christ). The arm of the cross was foreshortened to allow the composition language. Color capsules float around the canvas, casting shadows & glowing, creating light and depth. The circular 3D hole in the cross forms a triangle that completes the whole composition. Available!

Jamali Studio Visit

Harkrader's gallery director, art agent and collector, Cynthia Hinkle, visits Jamali at his studio in Winter Park, Florida., 2005. Hinkle represented Jamali's and Harkrader's work at her Perspective's Gallery located in the West Lake Town Center (SML) Virginia. Jamali, who has created over 60,000 works of art describes his work as 'Mystical Expressionism". Harkrader accompanied Hinkle on the studio visit and captured this unplanned portrait of Hinkle and Jamali.
Jamali's book entitled 'Mystical Expressionism and Dreams' was written by Donald Kispit, author, critic, and professor of Art History and Philosophy and explored Jamali's works and dreams. Harkrader drew multiple ink drawing from life of Kuspit and John Cage when Kuspit was one of the professional speakers at the historic Mountain Lake Art Symposiums and Workshops led by Ray Kass.
http://jamaliartmuseum.com/ / http://raykass.com/html/artists.html

Friday, March 26, 2010

In Other Words...

In other words, there exist within this series, another 'Word', a canvas that has little to say and says it well. But that happens to be the point in the case. When there is less action and language within the composition, there will be more room to rest. This Harkrader canvas has a great deal of room to rest ones soul, thoughts, and eye. The top of the canvas has an aqua like window of color and composition in which one may look into or out of, as the case may be. Below this composition lies lots of room to rest within the neutral landscape which is intersected by two lazy horizontal fibers that may convey a horizon. Floating above the fiber resides this fossil-like shape in earthy color and an aqua-earth composition intersecting the fibers to the right. (24x30) Available

Wednesday, March 24, 2010

Australian Rail Station Urinal Public Art

Australians and Europeans have a keen sense of public humor compared to many disconcerted Americans who can be easily offended at a Calvin Klein ad. The Department of Aussie Rail has given this Public Toilet (Loo) and it's patron rail passengers a dose of humor as they relieve themselves. Public art is at it's finest here when the general public participates in street theatre and (high) art. Dig those contemporary stainless steel urinals! Harkrader backpacked the Eastern coast of Australia in 01 and 02 between Brisbane and Tazmania, including four trips into Sydney over a 3 month period, transported by rail and lodging by YHA hostels.

Tuesday, March 23, 2010

Zodiac Queen & The Magical Silver Spoon



Sculpture anyone? Harkrader's 'Zodiac Queen' with delicate feather wings stands tall on her throne of wooden bowl, porcelain knob, metal ring, silver spoon, blue glass, glass eye and surrounded by a halo composition from an antique pastry cutter. Lion is a symbol of constellation, sign of zodiac, symbol of sun gods, Bali funeral sarcophagus and a core in Babylonian artwork. Venice, Italy is known as the “City of Lions”. Lions were used for thousands of years in mostly religious contexts of Christianity, Celtic, and Gospel of Mark. Winged lions may represent the Divine (angels) and denote strength, aggression, and power. Harkrader experimented with multiple composition possibilities before assembling this found object sculpture. (10"x6"x6")

Monday, March 22, 2010

RedSky Inventory Includes Harkrader Abstract

RedSky Gallery inventory of Harkrader canvases include the floral abstract from the Corolla series, 'Botanical Abstract'. RedSky selected 11 Harkrader canvases to exhibit at their 3 galleries located in Charlotte. This canvas carries repeated motifs from his other floral abstracts. These motifs are surround by a thin wash of color earth as background and the gentle movement of multiple knife applications of thick color that dance around the canvas.

Sunday, March 21, 2010

RedSky Gallery Contract


Harkrader signed a contract with RedSky Gallery in Charlotte, North Carolina on Friday March 19th. Red Sky Gallery will now represent Harkrader in the 'Queen City' region. The gallery has a presence in three prominent Charlotte locations; EpiCentre in Uptown- 10 East Trade St., Dilworth at 1244 East Boulevard East Boulevard, and Blakeney on Rea Road. http://www.redskygallery.com/html/home.asp

Monday, March 15, 2010

Small Onyx With A Large Heart

From the Onyx series, a message of love (& death?)... 'Xo' with meaning, among other things, hugs and kisses or kisses and hugs. The X may represent the symbolic textural gesture of an embrace (arms in hug) or the cartoonist symbol of an animated kiss (peck-lips-x). The O may represent the circling embrace of a hug or the shape of one's lips in a pucker. Either or vice versa...they both work in the text messaging; this revolutionary, vocabulary changing, end of the Queen's English as we know it culture. These two shapes (XO) also found their way into historical cave drawings and the history of the future as artist continue to use them in their paintings as Harkrader has done on this 5"x5" mini-canvas of mixed mediums. Collage of black paper on the top left side provide texture and composition. The double X (white & gray) provide additional language and bright red O or swirl complete the message. But meaning contiues as one ponders the religious meaning of the cross. There seems to always be an artistic language of love, life, death, religion, environment or war within much of our art. What does it mean when the artist did not mean to imply any social or religious message, but the viewer finds otherwise? Is the language valid?

Sunday, March 14, 2010

New York City Urban Inspirations.


New York City, San Francisco, Chicago, London, Rome, Paris, Budpest, Prague, and many other urban centers have provided Harkrader with inspirational metropolitan influences. More than 40 paintings from the 'Urban' series have thus far evolved from these influences. "Cities are, among other things, sexy" says Harkrader. There is an energy in the city that one can not obtain from any other source. The energy from mass humanity, surging public transportation, romantic piano bars, lovely hotel rooms, the sensual shapes of architecture expanse, (especially the vertical) the aroma of international cuisine, art, scultpture, and the unwritten history of eros within museum walls. Wow, that sounded like the plot or script from a dozen 'Sex In The City' episodes. The image of the World Financial Center buildings above was captured by the artist in 1991 from atop the World Trade Center, 10 years before the dreadful 9-11. Harkrader shot this architectural angle, never to be captured again, from atop those magnificent twin towers. The World Trade Center's visual awe was not just their height, but the double columns that rose from the earth like a scene from some ancient holy site from another planet. What an absolute loss of art and life! Long live New York City.

Red is Hot! Black is Urban!


This hot red urban action floral is one of Harkrader's latest. Filled with collage of black and white alpha-numeric text, currency from Eastern Europe, clock face language, wallpaper and raised text with faux gold leaf, it is urban. The language is romantic. Love, valentine, touch, voice and other sensory language and pics; combined with the colors of red, black, gray, ochre, green, etc. fill the canvas with urban love language.

Wednesday, March 10, 2010

Embedded Antique Fishing Lure


Harkrader has embedded an antique fishing lure into this earthy digital canvas with attachments. An antique fishing lure that sports 'glass eyes', as opposed to plastic or painted, was used in the canvas. This lure came from his father-in-laws tackle box filled with 1930 to 1950 era lures. This 3"x4" zoom (detail) is only a section of the total 9"x15" canvas from the 'Urban' series. Other media embedded or attached to the canvas include another lure, a stop watch, metal and computer bread board.

Saturday, March 6, 2010

Soft Action Erotica

Action art allows the viewer to follow the path of movement that the artist's body and medium delivered traveled across the canvas. Not all areas of this action canvas are such. The epitome of action painting (abstract expressionism) was delivered by Pollack in the '40's and '50's. Harkrader's Silent Echo VI (above) has a half dozen action deliveries on the canvas face, while other parts of the 40" x 30" canvas (available) is embedded with collage, photographs, alpha and numeric text. The color blue which is normally cool visually, takes on a warm sensation surrounded by the ochre, sienna and other earth. This canvas is choke full of interesting language, including soft erotica. Never boring & a conversation piece.

Thursday, March 4, 2010

Power of Color

The colors red and black are both associated with power. Red has additional meaning such as passion, energy, war and is emotionally intense. Black can be negative in meaning but also is formal and elegant. This painting from Harkrader's 'Winged Essence' series is crisp and clear against the unsized white cotton background of drapery material. The process is totally unforgiving. You only get one chance to find your compositon and other visual language before you abandon the temptation or mistake of continuing. It is over. Let it be.

Wednesday, March 3, 2010

Collete Fu Pop Up Book Workshop

Harkrader captured this photo at his table while Collette Fu taught him & others specifics about the beginning basics of Pop Up Book construction. The Collette Fu Pop Up Book Workshop was one of many venue happenings in the Marginal Arts Festival in Roanoke. Fu's comprehensive education, residencies and awards include Fulbright Scolarship to China 2008 and Nikon.net grand prize winner in portraiture 2003. http://www.colettefu.com/ Harkrader's 3 paper constructions in forground were later assembled into a single paper scultpure (that may or may not fold up but surely pops : )

Tuesday, March 2, 2010

"Zippered Landscape"



"Zippered Landscape"

48" x 36" x 4"

Oil on canvas with zippered openings dissected into the canvas face.
Another painting exists behind the main surface.

Monday, March 1, 2010

Artist In Action

Harkrader In Action on a new floral. The studio is packed with over 50 paintings. It is getting hard to manuver, but as the old expression says; 'the mail must get through'. The collage pile is on the red carpet. Rugs, carpets and mats protect the floor. Paint can be thrown or flipped through the air, hence the plastic curtains. A completed floral in the foreground, an in-progress behind the stool and a new diptych is launched on the easel.